Graduated from the Faculty of Arts of Rennes, it is self he devoted himself to photography in 1995, after the discovery of the world and work of Nan Goldin.
The man in his unvarnished truth, his loneliness, his beauty, movement, sensuality and suffering daily at the center of his autobiographical work, intimate, disturbing and terribly alive.
In 2001 he published the book “Homme libre, toujours, tu chériras la mer” (Edilarge editions), a book tribute to the sea, seized by his earthly eye.
The juxtaposition of images passionate him. He produces tables of hundreds of bands tests
he does not shed, glued, juxtaposed to form new photo-impressionist landscapes, forcing the eye narrative and intimate performance of his audience.
Here again, the poem is present, the caption at the bottom of each piece.
In 2004, the passage of the digital picture blew his sense of color, refined his subject and takes little by little towards the dating of ancient Yet, most characterizes his work today: the juxtaposition images in a single work, in diptychs, triptychs.
The poem affixes is needed then sometimes given as additional image in the photograph directing, or sublimating the étournant about.
There is so much to receive true life, and essential in this vision. (C. Ménard)